1 June 2010
When the packet from Evestus arrived, I was hooked even before opening it. This is a man who puts a hell of a lot of thought into presentation. The address label was gothic and themed to match the album inside, the return label was branded up, even the stamps seemed appropriate: depicting a famous Estonian wrestler. When I opened the envelope I was not disappointed; besides the album, boasting one of the scariest cover illustrations I've ever seen, was an information booklet designed as an old newspaper. Even before putting the CD on to play, I was excited about this band. And terrified. Probably in equal measure.
Evestus first gained the attention of the music world as the vocalist of Estonian metal group Solwaig, but began to compose his solo album in a desire to gain the creative freedom to fully express himself. His first solo album, 'Destiny in Life' was released late in 2004. This was followed two years later by his second album 'Wastelands', inspired by the game 'Fallout 2'.
Throughout 2008, the new album, 'This is Dramacore' began to take shape. It proved to be far more rock than its industrial predecessors, and this change of direction musically, resulted in a change of record company. The first single from the album was released in 2008, followed by another self-released single. Then, on 29 April this year, Evestus self-released the album.
'This is Dramacore' creates a very particular impression before it even gets into the CD player. It's imaginative grunge, freak-show, carnivalesque design evokes certain expectations from the music, and, thankfully, those expectations won't be left unfulfilled. The album retains a lot of the industrial edge from Evestus' previous releases, stitched seemlessly into the fabric of the metal overtones, and you'll even find the slightest hints of euro-pop woven into tracks such as 'All The Kings Drugs' and 'Leftovers'.
'This is Dramacore' is an album that gives you all the industrial-edged metal you can handle, but twisted around into something new. If you want to make an impact in today's music world, you need to stand out, and Evestus knows exactly how to do that. Confident, and assured, this album is an absolute must-have, but you may find yourself jumping at shadows for a while after listening to it. You have been warned.
The carnival theme is continued into the music, the opening track 'Demons of Fame' begins with a fanfair and one of the many snippets of spoken quotes and old songs which are littered throughout the album. You'll also find childhood references, twisted into more gothic shapes, with lyrics such as 'all the kings drugs/and all the kings men/cannot put this broken doll/together again' (from 'All The Kings Drugs'). If you weren't scared of clowns before listening to this album, you certainly will be afterwards.
The album skips swiftly and seamlessly between its different influences, with industrial sections sandwiched up against metal with a flavouring of punk and indie thrown in to finish things up. But this doesn't make for an untidy or muddled combination; the throughline of the album huddles close to its rock roots and the carnivalesque theme. Basically, the dark and gothic personality Evestus has created for himself is the very backbone of the album.
Close your eyes and you can picture the gig perfectly: Evestus playing on a stage carved into the darkness of mines dug deep into the earth, playing to the unholy demons that inhabit them. And with tracks like these, I have absolutely no doubts that the demons would embrace Evestus as one of their own.
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